Wednesday, March 1, 2017

Jumping Into The Debate About the Dreaded 8-Count Basic

The so-called 8 count basic, where the leader starts with a back step, then a side step, a lead to the cross, followed by a forward-side resolution, is taught by many tango teachers to total beginners. I have heard lots of explanations as to why they do this - it gets beginners dancing,  it has all the basic movements of the dance, and so on.

I never teach the 8 count basic. Here is why.

1: It is NOT the basic Argentine Tango step. The basic Argentine Tango step is the walk.

2: Good dancers NEVER use it. Why would you teach something that you, personally, would never use?

3: It includes movements that are socially unacceptable. Starting your tango with a leader's back step is like merging onto a highway and immediately putting your car into reverse. In some places this will result in an immediate request to leave the dance floor.

4: Tango is an improvisational dance. An 8 count choreography is the antithesis of improvisation.

5: It doesn't work. A milonga has a unique ebb and flow of movement among the dancers on the floor. The 8 count basic never fits within that ebb and flow.

6: Once a beginner has learned the pattern it takes a long time to get them to let go of it. Why not just avoid the whole problem and not teach it in the first place?





Thursday, January 26, 2017

Tango Culture vs Tango Cult

 One of the things I love about Tango how it is infused with the culture that produced it. But in some Tango groups, appreciation of culture has crossed into slavish devotion to a cult.

 What do I mean by "a cult"? Well, in a cult there is a series of authoritarian rules. And members of the cult derive much of their identity from  unquestioningly following the rules of the cult.  Cult members dress alike, talk alike, act alike. Those who do not adhere strictly to these rules are excluded from the cult.

So when does Tango culture cross over into Tango Cult?  Here are a few examples.

 I have 3 pairs of Tango shoes. One very flashy "brand name" with 3-inch heels, and 2 much simpler, lower-heeled generic pairs. And I occasionally dance in low-heeled Ballroom shoes. Or jazz sneakers. Or moccasins. They all work. But there are communities where, if I do not wear my one pair of Comme Il Fauts, I get asked to dance less, and people assume I am a beginner. That is the sign of a Tango cult.

 I know the Spanish names for all the Tango figures. But I am just as likely to use the English names. English is my native language, after all, and I live in an English-speaking country. But in some communities people will correct me if I use English terms, even though they know exactly what I mean. That is the sign of a Tango cult.

 Tango Culture includes the unspoken invitation to dance - mirada and cabeseo. Tango Cult will not accept a polite verbal request for a dance.

 Tango culture recognizes that there are many ways to dance Tango. Tango Cult says there is only one true way to dance Tango - usually the style of the local Tango guru. Cults have gurus.

 Sharing Tango Culture should be an act of inclusion, not an initiation into an exclusionary club. Cults are exclusionary. I want my Tango community to be warmly inviting.

Not a cult.

Monday, January 9, 2017

You Don't Learn To Dance in Class

I had just finished teaching a drop-in beginner class to a group of 14 students. The music for the milonga was playing, and  one couple from the class started to change their shoes. I encouraged them to stay a bit and dance. One of them replied "We want to get good first".

This reflects a major fallacy among a lot of tango students - that they can learn to dance in a class.

You cannot learn to dance in a class. Classes give you tools for dancing - tools that you can then use to learn to actually dance. But classes do not teach you to dance. Neither, in spite of what many dance teachers tell you, do private lessons.

You learn to dance by getting out on the dance floor and putting to use all those tools and concepts you have been learning in classes and private lessons. Until you do that, you have not begun to learn to dance.

This is even more true for Tango than for most partner dances, given the improvisational nature of the dance. Almost anyone can learn choreography in a class. But improvisation can only be learned on the dance floor.

Beginners who start dancing socially from day one become good dancers much more quickly than those who wait. Don't be afraid of developing bad habits. Bad habits can be corrected.  And don't be afraid of what other people think. The ones who matter will respect your determination to learn.

So get out on the floor and dance - it really is the only way to learn.

A brief note to experienced members of a tango community. Encourage your beginners! A tango community that does not grow eventually dies.